Performance

Performing is a gift unlike any other: euphoria.

Since the age of seven when she started training in dance, Hannah has performed in hundreds of works by other choreographers–and it's one of her favorite things to do! Most recently, she appeared in the work of a peer choreographer, Frankie Crosby, titled, "returning, again," which was featured in the 2025 Mount Holyoke College senior capstone concert, "Soul Ties" in March 2025.

Four dancers sit on the floor, leaning against and lying on top of one another.

A group shot from "returning, again" by Frankie Crosby. Photo by Peter Raper (2025).

Two dancers stand next to each other, facing the camera. The one on the left (Hannah) leans against the one on the right. Both dancers close their eyes and smile peacefully.

Hannah and her duet partner Ava dancing together in "returning, again" by Frankie Crosby. Photo by Peter Raper (2025).

Previous Performances

Hannah jumps in the air with her leg kicked out in front of her, smiling at another dancer doing the same thing beside her. Other dancers stand around them forming two vertical lines on either side, also smiling. Metal taps are visible on the bottoms of the centered dancers' shoes.

From "TUNK 2 ELECTRIC BOOGALOO" by Aria Frehner, 2025. Photo by Max Paster.

Hannah and another dancer smile at each other with their arms extended in "disco" poses in opposite directions. Their fingers point outwards with energy.

From "TUNK 2 ELECTRIC BOOGALOO" by Aria Frehner, 2025. Photo by Max Paster.

Hannah (front right) holds a life vest with another dancer, while a third dancer arches her back while leaning against the life jacket and extending her arms above her head.

From "Snow:Migrants" by Balinda Craig-Quijada, 2022. Photo by Peter Raper.

A group of dancers is spread across a dimly lit stage with an image of ocean waves projected in the background. The dancers in the back (including Hannah) hold their hands in front of their faces. With their palms facing outward. The dancers towards the front of the shot are facing away from the camera with their upper bodies pitched forward and arms stretched out.

From "Snow:Migrants" by Balinda Craig-Quijada, 2022. Photo by Peter Raper.

Nine dancers lie prone on the ground facing the left, using one arm to push their upper bodies off of the floor, and reaching the other arm forward. They all gaze out over their extended arms.

From "Snow:Migrants" by Balinda Craig-Quijada, 2022. Photo by Peter Raper.

Six dancers stand spread across a stage, facing the camera with their upper bodies pitched forward in "flat back." They all reach their arms out past their heads.

From "Salt Soaked" by Chavi Bansal, 2024. Still image captured from a video by Aria Frehner.

Six dancers stand spread across a stage, facing away from the camera with their left legs lifted to their sides in an "attitude" position, with their toes forward, and their arms outstretched parallel to their legs in the air.

From "Salt Soaked" by Chavi Bansal, 2024. Still image captured from a video by Aria Frehner.

Four dancers stand close to the audience, facing them. They each have one leg straightened and extended on the floor with their toes pointed to the side. Their arms form an "L" shape above their heads, and they smile while looking out.

From "returning, again" by Frankie Crosby, 2025. Photo by Peter Raper.

Four dancers stand close to each other, with their shoulders touching, facing the camera. They all have their heads turned to the right side of the screen.

From "returning, again" by Frankie Crosby, 2025. Photo by Peter Raper.

Two dancers sit on the floor, back-to-back. They both tilt their heads and shoulders to the front toward the ground.

From "returning, again" by Frankie Crosby, 2025. Photo by Peter Raper.

Hannah faces the camera, looking out to the distance. She has one leg extended in front of her with the foot flexed.

From "Reducing" by Julia Wolfe, 2022. Photo by Ali Meizels.

Two dancers stand next to each other, with their legs in lunged positions. They look at each other with their arms outstretched to either side.

From "Reducing" by Julia Wolfe, 2022. Photo by Ali Meizels.

Hannah stands on her toes with her arms outstretched in front of her in an "L shape." She closes her eyes and arches her back slightly.

From "pools" by Shannon Fornes, 2022. Photo by Shannon Fornes.

Hannah (front) arches her back with her hands touching the floor. One leg is kicked up vertically, and the other is just leaving the floor. Two dancers in the background hold hands facing each other while one has her leg outstretched behind her.

From "pools" by Shannon Fornes, 2022. Photo by Ali Meizels.

Hannah stands centered in the frame, with her legs bent slightly and her arms bent at 90 degree angles, flipped in opposite directions. She smirks and looks at the floor.

From "might as well" by Hannah San Clemente, 2025. Photo by Max Paster.

Hannah and another dancer pose dramatically.

From "might as well" by Hannah San Clemente, 2025. Photo by Max Paster.

Hannah (second from the right) dances with her foot extended towards the front, and her arms out to her sides. The other three dancers mirror her position.

From "might as well" by Hannah San Clemente, 2025. Photo by Max Paster.

Hannah stands with one leg crossed in front of the other and bent. Her arm is stretched toward the camera, and she gazes softly beyond it, toward the right of the screen.

From "if you think it's over, look behind you" by Shannon Fornes, 2024. Photo by Mykelle Walton.

Three dancers face away from the camera, standing in a triangular formation with one leg kicked out behind them, and the same arm in the air, parallel with the leg kicking.

From "I See You" by Molly Brown and Quinn Suomala, 2024. Photo by Max Paster.

Hannah reaches one arm straight up while standing on one leg, on her tiptoes. Her other leg is raised in front of her and bent in an "attitude" with her food forward.

From "how can you mend? listening portals and unraveling songs #1" by Lailye Weidman, 2024. Photo by Paul Bloomfield.

A group of eight dancers are standing and sitting on the ground very close to one another, holding their bodies in various positions wrapped around one another. Hannah is at the center of the mass, standing up and leaning forward while looking down.

From "how can you mend? listening portals and unraveling songs #1" by Lailye Weidman, 2024. Photo by Paul Bloomfield.

Let's Dance

I'm always excited about chances to continue honing my craft as a dancer and sharing it with others through the art of performance. Got an opportunity? Let's have a conversation.

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